Portable is making a great claim on “Billionaire Olodo.” The inconsistency in the title is really the joke.
Once again, beat remains rapid and loud, similar to crazy energy rushing through “Jalolo” and “Faji Hook.” In any of these, his sound hasn’t slowed down whatsoever.
His delivery is in that same erratic burst pattern, bars falling where they fall rather than going on a set course. A billionaire and an old man in one title combined is the kind of contradiction he leans into.
Nothing is too serious here either. It’s loud, it’s a little bit ridiculous, and that’s the whole purpose.
If you’re in the mood for something loud and a little absurd, play “Billionaire Olodo.”
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